Monday, March 07, 2011

Haiti's Splendor Within

  While other countries are rediscovering people power and casting out dictators, Haiti is allowing them back. ‘Baby Doc’ Duvalier came and went last January; Aristide now has a passport and may return any moment. If Baby Doc’s mute visitation was a desperate bid to correct a country’s freefall, his affect conveyed the opposite: an unreadable face and inchoate gestures of a now pitiful, once grandiose despot. Aristide’s return will be neither silent nor impassive.

So ended 2010 in Haiti, surely the country’s worst year since independence in 1804. The massive quake in January, then Hurricane Tomas, followed by a crippling epidemic of cholera. The year ended with a rocky electoral contest, still unresolved. These unwelcome malheurs conspired to attract the gaze of international media, holding it momentarily. Other spectacles now crow for our attention. Eclipsed by Libya and her neighbors, Haiti’s grip remains tenuous, its silence ominous. Jokes about the depths to which it has sunk—now a platform for foreign dignitaries so low even Sarah Palin can step up—would be funny if they weren’t true.
Leveled to rubble in January 2010, Port-au-Prince is gradually reconstituting itself, but progress will be painfully slow. The city was already mired in failed urban policies long before the catastrophic shudder; the flight of human capital among the political class only advanced as Haiti’s crisis deepened. Today’s void means easy access for anyone of means seeking political office, including pop singers at home and abroad (Michel Martelly and Wyclef). Haiti’s exhausted political class requires new blood, but where are the viable candidates? Popular elections rarely mean the collective interest is served; instead, a leader’s wish becomes his followers’ command. State-sponsored thuggery is a Haitian specialty.

To a new arrival, as I recently was, the obstacles confronting the average Haitian appear to stack up, layer by layer, to a point of monolithic immobility.

Read this rest of this piece here.