'By today’s measures of geopolitical relevance, Uganda would seem an insignificant country. Its name may trigger a few neuron firings among those who’ve read Giles Foden’s The Last King of Scotland, or seen its recent film adaptation starring Forest Whitaker as Idi Amin.
Ugandans who’ve seen the film are less than delighted. Amin’s son allegedly complained to reporters, “He [Whitaker] doesn’t even look like my father.” More clueful viewers writing in local newspapers claim the film relies on the tired reference of African dysfunction to tell and sell a story to an international audience. Much agreed—although I appreciated the film’s portrayal of complicity with evil as a creeping, dimly conscious evolution, capable of crippling the purest intentions.'